Datos Técnicos / Technical Data

Ficha Técnica / Specification Sheet

Intérpretes / Cast

Sinopsis / Synopsis

“Tomorrow: VR is the New Language” es una experiencia inmersiva que ilustra la evolución del lenguaje, desde épocas primitivas hasta la actualidad, donde descubrimos que la VR supone un nueva forma de contar historias.

“Tomorrow” is a Virtual Reality experience about the evolution of language. It is a mixed experience created with CGI real time and 360 stereoscopic video. The experience, about 6 minutes long, allows the viewer to enjoy an immersive story that narrates the evolution of language, taking him on a journey from the ancient caves to the middle of the jungle where amazone tribus struggle to understand the concept of "future" due to their lack of words to express it.

Biofilmografia / Biofilmography

NICOLÁS ALCALÁ (Madrid, 30/06/1987) Director de El Cosmonauta, primer proyecto español en financiarse mediante crowdfunding recurriendo además, a una plataforma propia. Estrenada en 2013, consiguió más de 400.000 euros gracias a la ayuda de más de 5.000 personas e instituciones de todo tipo. El Cosmonauta fue un ambicioso proyecto transmedia: 34 webisodes, una película, un libro y un “Facebook fiction” para contar la historia de la carrera espacial desde un punto de vista completamente diferente.

NICOLÁS ALCALÁ (Madrid, SPAIN, 06/30/1987) Director of “The Cosmonaut”, case studied as one of the most interesting projects on the future of film by the most prestigious film and business schools. One of the most successful crowdfunding films in history: more than half a million dollars raised from almost 5000 people all around the world. • An ambitious state of the art Transmedia project: 34 webisodes, a feature film, a book and a Facebook fiction to tell the story of one of the most exciting times in human history: the Space Race (except in this case, for the first time, we tell it from the soviet point of view!). A revolutionary distribution strategy, challenging the old paradigm (but working along with it to transform it and look for new ways), praised by media like Indiewire, Filmmaker magazine, Wired Magazine, International newspapers and Movie professionals worldwide.