I know it has to end now.
Of course, it has to end.
It has to end now, it's the best time.
-Of course... -Of course
Beginning of summer... it's perfect
True
The important thing is what I told you about the first day you came.
What I want is to live an experience with the piece.
So we have lived it... what it is like to make the piece, and everything that has happened around the piece...
And... that's the piece.
The piece itself is a physical thing, right?
It is a physical thing, which is made of clay, which will be made of resin and fiberglass.
People will see it, like it or not like it.
But what I keep from the piece is what I have lived with you.
That's it... so we've converted...
Let me tell you... how do I explain it to you...
Something complicated... in something so simple... and so exciting.
That's true, we've made the complicated simple, right?
-Yes -And many people won't understand that.
But the point is not whether people understand it, if they do, great...
if they don't understand it, we don't have to worry either.
When I talk about the relationship I have with you to the people around me...
-...many do not understand it - yes
And another thing I really like is how free we've been.
Yes, we have been free, yes. We have always been free.
And we have absolutely nothing to regret.
- Because I've been very me... I've been very me. -And me too.
- Well, that's the important thing. -That's the beauty of it.
That's the important thing.
Just in case Constanza calls.
There is still an hour and a half until Constanza arrives.
Because he won't be arriving at 6 o'clock.
-Constanza, come in. -Hello.
-How are we? -Well, here we are.
Let 's start. Again.
-I like them. -I don't know... Constanza. They're fine, right?
-Perfect, I'm going to try them on. -Better that than nothing, right?
Why did you say the other day that tan didn't suit me?
I told you your normal skin tone looked better on you.
-Why? -Because... I don't know... brown suits you...
Tanning always looks fake on any body type. Your skin tone is golden.
The tan takes away that genuine thing of yours from your skin.
For example, my skin has changed. When I lived in Lepe, my skin was darker.
-Because the sun was shining on me more. -But you are quite a bit, too, dark-skinned.
But not as much as when I was there.
Well, this is perfect for me, hey...
Constanza give it to me... but... take away the number.
-what? -The number, you left the sticker
Ah... well, sorry, eh.
-You've cleaned, eh... you've swept, I think. -No
-You haven't cleaned the bathroom at all, have you? -No
-Look, come. -Let's see.
But look here you can see the skin better.
Because the light is whiter. Yellow and a little more brown.
-This is your real skin color. -Ah, well it is more pink.
And the hand, the tone of the hand.
It's more orange than mine. Mine is more red.
-I'm going to change. -Aren't you going to leave your... your necklace?
-No, I'll take it off, right? -Better, better for the neck... yes.
-And the earrings too. -Yes, preferible.
It's not necessary, but if you want to take them off, it's better.
I like being watched more than observing.
But at the same time I am more afraid of being watched than of observing others.
And I like to like.
But I like being loved above all.
I have always been very fond of love
and I am very attracted to people, for what they have, for their essence, for what they say.
I feel very guilty...in my dreams I always betray him in some way.
Or I don't take good care of him in that sense...
And that causes me a lot of anxiety, because it scares me a little.
I think I'm afraid of losing him, that's what I've been doing ever since I met him.
It's one arm here and the other here.
-Constanza, come in. -Good morning.
How are you?
We'll leave this here...
Do you mark me first and then measure me?
First I measure you and then I mark you.
You don't need this.
I don't need this? No, I don't need this.
Well we removed it
If you're going to mark first, then no.
Get comfortable, remember the pose.
The pose, remember the hips. You have to tilt your hips to the right.
-Right? -There. Exactly. Perfect.
The points are to see the movement that you have to the left.
-If we can do two days a week, better. -Okay
Fifty. Thirty-three.
And forty-three.
-Have you been to Paris? -A lot of things have happened in Paris.
-For the first time Constanza? -Yes, we have seen rats like in Ratatouille.
That 's good.
-Okay, great. -There?
-Yeah
From the impression of the most beautiful things in Paris, that...
The Rodin museum, I really loved it...
The Rodin museum you see... the gates of hell.
Yeah
In front of the gates of hell are the three composite Adams, like this...
You see the fullness of Rodin below, up close.
And if you look up there, the thinker is up there. Above the gates of hell.
But of course, I had always seen the complete viewing of the gates of hell in books.
But when you see it there...
Because Rodin did not work with reason, he worked with the passion of things.
Rodin is described as a realist sculptor, but he isn't a realist sculptor.
He exaggerates everything, he takes everything to the extreme of feeling, of emotion.
That's why it's exciting, it's impossible not to get emotional
There is a tilt here...
That will not affect me, logically, for the modeling
But I have to be careful, because this is gently sloping...
...it can push my thighs to the right. I have to be careful.
[ Murmuring ]
It has been very nice... but at the same time a little difficult because of some things.
We are super different, it's just that we don't look alike at all.
And that's not a problem, eh. It's not an impediment, because...
In the end, relationships are not based on how much you resemble someone else.
I asked him many times, hey, what is our relationship based on? What is it based on?
I think the beauty is in being there. If you are with him and you are present... that's it...
Agreeing... I will never agree with you, you will never agree with me...
We will never be 100% in agreement with anyone.
But if you are, you are fine, you feel fine, with the person.
What does it matter if you discuss?
No, they haven't been discussions, but... the differences are just that.
But well, that has led me to ask myself many questions, too.
-Can you turn off the light from there? -Wait a minute, I forgot something.
Do you see this little slot here? You can see it, right?
That mark here, you can see it, right? Ana, you see her
This is where the deltoid is born. Go down, down, down. and reaches the middle of the humerus.
Later, what would become the acromion is also born here.
From there it goes down and reaches the humerus.
Then it is born in this change of plane that you see.
From here the deltoid comes down and goes to that place.
This here would be the humerus.
And this here would be the ulna.
If I go from here, to the end of the ulna.
From the head of the ulna, which is the olecranon, to the base of the ulna...
If I take this route, I can see all the bones, right?
The bone is here, exactly, from here to here.
Jose, which is your favorite love movie?
Wild at Heart, by David Lynch.
Nicolas Cage and Laura Dern.
Sailor and Lula.
The movie is about a moron.
A macho and outdated guy
and the relationship he has with a simple and basic girl.
They are both like empty minds.
They are two characters who don't have... let's say much brain.
But they are in love. Completely in love.
When people fall in love, it doesn't matter if they are intelligent, stupid, or clever.
whether they are tall or short. We fall in love and that's it, right?
So the film plays that game. It talks about that. About true love between two people above everything else.
-Have you seen "Back to the Future"? -Yes of course.
The director went to see his mother and then asked himself a question
What would it be like if I had met my mother when we were the same age?
and then that's where the whole movie came from.
Well, I wonder a lot about you, if we would have gotten along at the same age.
But I'm still the same, I haven't changed.
At my current age, I still feel things the same way but more calmly.
Obviously, at twenty-two years old I hadn't had many experiences.
Everything I was when I was twenty-two, I am now, but logically at my age.
But thirty years have passed.
When you go through the experience and through the years, and your readings
for your disappointments and for your joys. You strengthen things.
Okay?
So, the nice thing about the years is that you live things more calmly.
I wasn't afraid, Constanza, of anything, then I wasn't afraid.
Your generation is different.
-You weren't afraid? - Oh, I wasn't afraid.
-Weren't you afraid of time? -Time, the future? No. I wasn't afraid of time.
I was not afraid of "will I have a job?, will I not...? Will I be able to do this or that...?"
I thought that had to come by it's own.
I remember I used to travel to Berlin.
-You're like me then. -Yes, I am a little bit German, yes.
You have your German ancestry
And your German boyfriend, Ingo.
-What was her name? -Her name was Sabine
-Here, can you put that there for me? -Yes
-Shit -A little further in, that's it, and now here and here.
There, let it stick, that's it, and on the other side.
Let it stick to the bar. Perfect.
I can't
Let me see, the glove makes it worse
Brutally.
One day, I'll bring a little pliers
Because it is very tacky what I'm doing right now...
What a shit...
A silly unforeseen event...
Let me see, let me see. Let me see, come.
I knew it.
What a downer.
Sara is going to burst out laughing when she sees me.
Dude, what have you done? What have you done? Well, I broke my tooth.
-But wow... -Did it break very high?
-No -How far has it gone? It hasn't reached the nerve right?
-I'm freaking out, man.
Look, I had to go to the dentist, now I can't leave more time.
Look, it fits.
It fits perfectly, I'll take it and if she can do something, she will.
I know art through artists
through colleagues who are artists, or through my job.
Not because I am an artist, but because I am involved in this, because I am a sculptor.
The difference that exists, or that I see
between Bernini and Michelangelo, Bernini does not weigh
-Bernini's work does not weigh... -Lightness
-And the works of Michelangelo... -The opposite happens
They weigh, you see them and it seems that...
Even Michelangelo's cloths seem to weigh a lot
It seems like you're going to grab your clothes, put them on, and not be able to walk.
I don't see spirituality in Michelangelo
May God forgive me, or may Michelangelo forgive me
I don't see spirituality, I see the flesh, I see... I don't see spirituality in Michelangelo, I can't help it.
I see the human being, I mean, he is very human, he is super human.
That is what I think Rodin sees in Michelangelo.
That excess of humanity.
[Murmurs]
Thirteen centimeters, and the other one a little higher. But we put both of them at the same level.
And then we add volume.
-It's thirty-five here. -Thirty-five, and if I raise it a little more...
-Thirty-seven here, a little higher up -Let's leave it there
Don't you sometimes have thoughts about doing things you shouldn't do but you really want to?
Yes, many times.
Something, in one context, for example, would be totally...
Inappropriate
or even actions that are...
-Dangerous -Yes, they are criminals.
Criminal, dangerous...
A lot of times, but that's human, it's natural...
We transgress everything, some people don't allow themselves, but I do, in my head I do.
-You allow it in your head? -Of course, of course...
If you don't dream you don't complete life, it's like you're missing something
Why? Because that part that you say is transgressive, that we all have
We complete it when we dream
Rather than completing it, it's like freeing it, right?
We make it free
For me it is deeper, or it is truer...
knowing your intimacy, rather than being in your intimacy.
That's partly what I want to do with the piece.
Hi Jose, how are you? I just left rehearsal.
So, I think I won't be there until 6:30
But anyway, I'll let you know, let's see if I can get there sooner.
This is the life of the XY waiting for the XX
Always, waiting
Waiting, waiting
I already, of course, at my age...
I've gotten used to waiting.
I neither get hot nor cold, I wait.
We will wait as long as it takes.
Total
I have nothing more interesting to do than wait, right now.
It's the most interesting thing I can do
Since what comes next is worth it, we'll wait
Her generation is always faced with the conflict of...
What do I feel?
What do I like? Women, men? Do I like everything?
Do I like sado?
Do I like shibari? Do I like bondage?
Do I like being hit? Do I like being petted?
They have some conflicts... some skin conflicts.
and brutal emotional conflicts.
-Hello Constanza -Hi, how are you?
-How are you? Is everything okay? -Okay, sorry I'm late.
Who do you think is the most beautiful person?
You ask me and I will answer you
-If I'm asking you -But ask me
Who is the person...? tell me again
Who is the person you think...?
Well, I don't know... according to your parameters.
A person you say...
This is great beauty.
-You -Don't tell me that, tell me the truth, seriously.
Well you
-Well, that's it, the game is over. -Of course, I'll tell you, you asked me and I'll answer you.
It seems to be a short distance, right?
There is no small distance, keep in mind that when you lower your chest it gets closer to your thigh.
But your final buttock volume is missing
When I lower my chest it moves away from my thigh
Your chest is here, keep in mind that your chest ends there.
But your chest is still higher, more towards here. It 's bigger.
And lower. Right now what I'm doing is the structure.
I'm not making the limit of the shape.
Your body has much more volume... There is still very little volume yet.
The one here is missing
We mark there too
We're marking here, aren't we?
[Murmurs]
Your hand and your arm
Your tilt, your hip.
I would have to lower that, and I think I'll be able to lower it now.
If it comes out, it could even be interesting.
But I have to prevent the structure from coming out.
Have you seen...? The first time I saw Rodin's Eve
It was at the Fine Arts Museum in Seville. I was still a student.
There was a huge Rodin's exhibition there
nothing like that had ever been done in Seville.
And since I was such a big fan of Rodin, I went and saw it.
- It was not allowed to touch the sculptures -You touched her
Of course I touched them, I touched them all.
The first thing I did was hug her, I swear
Have you hugged a sculpture?
Of course I have, I hugged Rodin's Eve
I remember that I hugged her
but because I was freaking out, I was freaking out
It was a reference for me that I suddenly saw there And I hugged her.
But it is very nice to see how reality changes when you see it in a different way.
So if your view of reality changes, everything can be beautiful.
This is not like: I talk to you but you don't really matter to me, what matters to me is what's behind it.
That's not true
I'm interested in you
But beyond that you see...
That there are certain friendships that are generated with a beauty
That you wonder: where does this come from? Because I'm not making this come out.
I enter the sculpture through its hand
Okay?
I enter the sculpture through its hand
I come in here, I walk, I walk, I walk...
I'm not interested in this arm
I climb on the back
I go through the hair, through back
I go through the back
I step over the line...
along the line of her buttocks
That is logically open as it is natural
and from here I get down to that foot, and I escape
Over there, I escape on that foot.
At the front of the piece is the softness
There is surrender, there is submission, perhaps
and in the back is violence and aggression
This is the...
the obvious
what confronts you with things.
It's a first for something, for me.
Okay?
and that's... it's really a first time
it provokes me
insecurities
Not artistically, it makes me feel insecure...
Not existential either
Yes, they can be existential
and... almost daily insecurities
Yes, everyday insecurities
It's like the piece is already there...
I haven't even started modeling yet and it's already present in every moment of my life
and that seems to me
interesting in the sense that I think I'll never
It has happened to me in such an intense way
with another piece that I have made previously.
Straight
Very straight, very straight, this way, this way
I reach the buttock, I reach here the ischium
And the ischium breaks a little bit
And I enter the hip that is going to go down here
I move on to what would be the volume of the rib cage and the muscles that remain above, right?
Here I go out to the shoulder blade, and I reach the deltoid.
Mother
Mother?
Hey, are you in class?
No, I'm in the workshop
Oh no, I'm not going to keep you at all. How are you?
I'm good
Are you okay? Are you more or less tired than the day before yesterday?
Yes, no, the other day Sara and I had something
But nothing happened, she was there
Of course, but I could hear in your voice that you weren't 100%, son.
Yeah, but we were fine, it's okay, sometimes we have to talk about things.
But it's normal, but let's see
I am far away, and I do not see you
And I perceive that you look dejected, for whatever reason
I get more worried than if I saw you, do you understand me or not?
We will talk tonight Pepa Pérez, at night
Okay, greet Agustin
Yes, mua, mua, mua, see you later. Mua
How much is one?
At 1 euro each
Oh really?
Constanza I'm pissed off
Are you angry?
-Go inside now -I am very sorry
I'm sorry, and I didn't write to you
I thought something happened, I was about to call you.
You are right
-You're angry, aren't you? -Yes
-I'm so sorry, you're right. -You haven't told me anything.
Absolutely, you are absolutely right. Very sorry
It's ok
I also always arrive like 10 minutes late... terrible
-You are absolutely right. -it's ok
I hate being late
What happens is that today I am full of energy to start
But I should have told you. I'm so sorry.
- Well, but you have arrived. -I'm here now. How are you?
All good
-Well, but we have all day, it's okay, right? -Yes, it's ok
-I brought you something -Really? What?
-Wait, I'll give it to you later -Oh okay, okay, perfect.
-Close your eyes -Close my eyes? I already have them closed.
Please, Constanza, where are you going? Give me a hug, okay?
Let's put them in water, I don't know where
Inside?
But I think they don't fit here.
The day the Reina Sofía award was presented
That was in September 2021
The idea of ​​giving flowers to the queen got into my head.
I don't know, I got it into my head to give her a white flower.
What should I do?, give it to her or not?
I would call my mother, and I would ask my mother, How do you see it?
"Look, she's a woman, Jose Manuel...
...after all, she is a woman, and she will like to be given a flower"
So when the time came, I carried a little bag with the rose
The security guards saw that I was handling the bag.
They asked me what I had inside
They told me I couldn't give anything to the queen
I took out the rose and put it behind my room.
And when he came to my sculpture, I gave it to her.
I gave her the rose
As there is no tensions anywhere
I can't do anything without Constanza, She has to give me the tension
I can't work with tension if I don't have her, It's a living hell
I can't do anything right now without Constanza.
I need Constanza
This has just started, so there will be something today, okay?
I hope there is something
Don't tell me this is already cracking, indeed
The other day, for example, watching her I said: "It looks bigger...
that Constanza"
But no, after I took measurements, it's not bigger You have that volume
Yeah
The other day we talked about how you were powerful
You weren't, let's say, strong
But you had power, presence in the body
Well, that's what I want to continue today, simply.
-Constanza, everything's okay, right? -Uhm
Sometimes we live things that we are not aware of.
and we are fine without knowing that it makes us happy
Sometimes you don't have to wonder if you're happy or not.
you just have to let everything flow
and that's it, and don't ask yourself too many questions.
How nice, Jose.
Have you had a good meal, Constanza?
I haven't eaten anything
-Constanza, for God's sake, don't tell me that. -I didn't have time
That needs to be fixed
Constanza you can stop, stop now, stop please
And please don't come fasting, tell me and I'll bring you food.
And you eat here in 5 minutes.
I have already eaten
For dessert I had a pear yogurt
Mmmm
Pear yogurt, I mean I've eaten...
Bolognese and pear yogurt
How do you make bolognese?
Shall I tell you?
So I add minced meat
-Turkey and chicken. I don't add ground beef -What?
Chicken and turkey
And I do it slowly, over low heat, so that it cooks, and doesn't burn underneath.
And when I have that
I add pepper
and parsley, and salt, when the meat is already cooked
In June, if you leave on the 14th
You're going to pose day after day, huh?
You are now going to stay with me for 2 days, here
Wednesday, and Friday or Saturday
Starting next week this week we are going to do it even if it is at the last minute
I need us to do that so that in June we dedicate ourselves to taking the piece to madness
But you in June, if you go to Bruges
There will be days when you are here for a whole day and the next day again
I'm not saying you shouldn't go but this week we will work for another 2 or 3 hours
and next week I want Wednesday and a full day again
Are you listening to me?
I'm really messing things up
Mess up all you want but listen Get it into your head.
-What? -Next week it will be Wednesday and a full day, again
Already looks like me
and this is me too
because you made the arm
I have to raise this higher, You have more volume
I see myself on the arm
There's a little bit of you in there
Where there is more of you is here over here
Because it's where I've worked the most
Well here you have made me some... impressive tracks
Here, this, I have to soften it a little bit
And this is still very dark here it's deep inside
When I was little I also liked a lot things that were small and cozy
Like... like Chinese spoons that are oval
I tried to steal them when I was little I swear
When I was 5 I took one in my parents' coat and I got caught.
But not for the sake of stealing. She was just very cute.
and I couldn't find it anywhere
and it must be that I got a boost there
The ones that are like this circular and then
a little bit inward
-Yes, but they are these ice cream spoons. -No
The spoons of an Asian
Those used to drink soup
They have a stripe as a decoration
They are white, and look like porcelain
-or are made of porcelain -Ah! I know which one you're talking about.
There was something about the spoon that made me feel very tender.
I think it was the shape, or...
I don't know when you eat from the spoon
which gives a very strange but very cool feeling
I don't spend much time on small things.
They gave me so much tenderness...
I wanted to take them all.
What a wonder...
What a wonderful thigh.
What?
I'm going to kill you with tobacco
Take
Thank you very much Jose Manuel
Thank you
Well then
Let 's talk, okay?
-No, but you have to tell me yes. -Okay, yes.
Whether it's Friday or Saturday, 2 or 3 hours
And the following week we go all out again.
Wednesday, please
Yes, yes, yes... I write to you
Yes, yes, yes...
What techniques do you have for flirting?
I don't have any technique Constanza
Everyone has a technique
I mean, the first flirtation, the first approach How do you get someone's attention?
What question do you ask her? or question, words or what gesture?
I don't even remember
No, seriously, I'm not kidding you. I don't remember what I did
Well, what do you still do?
I'm going for it
I mean, I'm going... boom... straight away.
You can't go straight if you don't test the waters, How do you test the waters?
well, that shows
in looks, in gestures, I don't know... things
Then how do you send the message to the person? "I am interested in you"
I talk little and do a lot But I'm not a flirt
I've gotten just enough for my age
But sometimes it is very clear
It is always very clear
I remember that once
I flirted with an Argentinian
That was fine, right?
and she didn't take her eyes off me
A guy next to me said: "She is looking at me." and I said: "stunned she's looking at me"
"No, no, she's looking at me"
Then something fantastic happened, she approached me.
He started talking to me
and turned around again
And when the guy saw that at night, he had no chance of...
He took the Argentine away from you? -He tried
- What a shame -And I say, man, what are you doing?
I told him: "go away"
"What are you doing, buddy?" It made me angry, it was wrong
-Normal -I thought it was very bad
Head here and hip there, okay?
Let's start with that, and then surely Constanza, we will turn it around, okay?
the head here and the hip there
we worked on this profile, and now we are going to work on the other
and the back and of course this here.
Come on, I'm going, right? Come on
Today is going to be a very nice day, I already know that
It's full
They are already on their way to 3 weeks
When I talk to you about landscape, Constanza I'm talking about detailed modeling.
You have the powerful volume, which is what the piece is already starting to have.
and then within each forceful volume there is
small concavities, small convexities
That's what's going to take me the longest.
I also want to make way, to the touch
so people looking at the piece, approach it and touch it, precisely because of that landscape
Do you want people to touch it?
Sure, I want them to touch it
I'm going to smoke a cigarette
Every cigarette you smoke is time you waste, without being with me
What do I do then, not smoke?
it's an incentive to quit, I'm just saying
Let's see, just one second, very quickly.
Yes, it is already done
He has my cheek
it has your cheeks but it's not you
And I can't upload this any further, The chin
Because it hits the structure, you know?
How do you do the eye thing?
Ah well... for me it's much easier to do it with my hands than with tools
It's my favorite part of the day, too.
Sit down and look over there, or stay as you prefer.
You better turn your back
Yes, but we didn't bring lotion
Well the next day is brought
Are you relaxed?
Yeah
Tilt your head forward a little.
Has it relieved you?
A lot. A lot.
It gave me a little pleasure
It makes me angry, eh? because I have 6 days left of work with Constanza
I have very little time left
with Constance, I hope to have enough time
They are calm hands that have no movement intense nor important, but
But they are the entrance to the sculpture
and the feet are the way out
I have to work them well
I'm not going to take them to extreme realism, I'm not interested
neither hands nor feet to extreme realism
But they have to be well fitted and well...
positioned, with the gesture that corresponds to them
Hands are important because they are the entrance, You enter the sculpture through your hands
Constanza, come in.
You look very different dressed like that
Yes, because I'm comfortable
-How are you? -Constancita, everything is fine, how are you?
Good
They're bigger than mine, huh?
No, look, give me your hand, come on, give me your hand
How cute!
The thing is that now you would have to put each finger in its place.
The position of the hands, okay?
You don't need the back part, right?
But your hand was further ahead
Your left hand was further away from your head
-There? -Yes, there yes
-Are you okay there? -Yeah
The wrist was, let's say, just there.
I have to weld it oriented
a little bit down
-it looks sticky -Perfect
Wow! With all your paw, how is it?
Constanza, today has been a very hard day for me.
The hardest day since I started sculpting
But I finish the hands
Oh my God! Don't laugh anymore, You're always laughing at me
-Oh, Constancita! -You make me laugh a lot
Ouch! My back hurts!
Where? At what altitude?
Towards the other side
This way?
-No -Over there?
Here, here it hurts me
Does it really hurt? Where here?
-Yeah -So tell them to give you something.
My mother gave me
Are you OK?
Are you very sad?
No
Smile Constanza, smile
No but Constanza, natural To the other side
The face like this, like this You look prettier this way
- The sculpture is going to miss me a lot - Of course, and I'm going to miss you too
Constanza, I need you to be well-off, that's what I need.
-I took the paper from you, maybe you were used to it - It doesn't matter
I need you to put, not that foot, but the outside foot yes
Let's work with sex and the sacrum, now
It's very difficult to get that out as yours
Here is a tiny fold that I have to make
That little fold that I haven't made
I can't do it
Because i can't now, I can't
This little fold is the one I have to make
An outstanding one there
There, I have to do that, that fold
And that's it, it's almost over.
I'm not interested in that naturalism... I'm interested in the volume
and it has it The piece has what I wanted, it has
your volume and power, the power, yours
Yesterday I was thinking about it
This morning I woke up like happy because we are finishing
and on the other hand I say, What a pity, right?
The sculpture has a lifetime left
We could keep working all our life
but for what?
No?
finish things for what?
You also have to know how to close things
Sure, yes, yes
But anyway, in the end the light is what
decides to end
I mean if the light goes out, the sculpture is finished
No, but not to continue with cheap poetry
But because it really is how it has to be.
You are leaving
you leave, and the piece stops
stops and...
and has its freedom with me
I have been tied to you
for a long time
And now it's my turn to separate from you
I know it has to end now.
Of course, it has to end.
It has to end now, it's the best time.
- Yes... - Of course
Beginning of summer... it's perfect
I have to finish this...
Constanza... Constanza!
Oops!
When life covers me
Behind a curtain of years
They will live in full bloom
loves and disappointments
I want to be buried
like my ancestors
I want to be buried
like my ancestors
in the dark and cool belly
from a clay pot
in the dark and cool belly
from a clay pot
Neme!
It hasn't broken, no
Good thing, now I'll see if it's broken