1
01:00:57,119 --> 01:00:58,400
I know it has to end now.
2
01:00:58,400 --> 01:01:00,880
Of course, it has to end.
3
01:01:00,880 --> 01:01:04,000
It has to end now, it's the best time.
4
01:01:04,000 --> 01:01:05,480
-Of course...
-Of course
5
01:01:05,480 --> 01:01:07,760
Beginning of summer... it's perfect
6
01:01:07,920 --> 01:01:08,760
True
7
01:01:12,320 --> 01:01:17,000
The important thing is what I told you about the first day you came.
8
01:01:17,000 --> 01:01:21,559
What I want is to live an experience with the piece.
9
01:01:22,559 --> 01:01:27,440
So we have lived it... what it is like to make the piece, and everything that has happened around the piece...
10
01:01:27,440 --> 01:01:31,360
And... that's the piece.
11
01:01:31,360 --> 01:01:35,360
The piece itself is a physical thing, right?
12
01:01:35,360 --> 01:01:39,159
It is a physical thing, which is made of clay, which will be made of resin and fiberglass.
13
01:01:39,159 --> 01:01:41,760
People will see it, like it or not like it.
14
01:01:41,760 --> 01:01:45,679
But what I keep from the piece is what I have lived with you.
15
01:01:47,559 --> 01:01:53,480
That's it... so we've converted...
16
01:01:56,519 --> 01:01:58,639
Let me tell you... how do I explain it to you...
17
01:01:58,639 --> 01:02:04,199
Something complicated... in something so simple... and so exciting.
18
01:02:04,199 --> 01:02:08,000
That's true, we've made the complicated simple, right?
19
01:02:08,000 --> 01:02:10,519
-Yes
-And many people won't understand that.
20
01:02:11,159 --> 01:02:14,360
But the point is not whether people understand it, if they do, great...
21
01:02:14,360 --> 01:02:18,960
if they don't understand it, we don't have to worry either.
22
01:02:18,960 --> 01:02:23,880
When I talk about the relationship I have with you to the people around me...
23
01:02:23,880 --> 01:02:27,719
-...many do not understand it
- yes
24
01:02:28,239 --> 01:02:31,920
And another thing I really like is how free we've been.
25
01:02:31,920 --> 01:02:35,880
Yes, we have been free, yes. We have always been free.
26
01:02:35,880 --> 01:02:38,679
And we have absolutely nothing to regret.
27
01:02:38,679 --> 01:02:42,199
- Because I've been very me... I've been very me.
-And me too.
28
01:02:42,199 --> 01:02:44,840
- Well, that's the important thing.
-That's the beauty of it.
29
01:02:44,840 --> 01:02:46,079
That's the important thing.
30
01:03:40,920 --> 01:03:43,519
Just in case Constanza calls.
31
01:03:44,559 --> 01:03:47,360
There is still an hour and a half until Constanza arrives.
32
01:03:47,360 --> 01:03:49,079
Because he won't be arriving at 6 o'clock.
33
01:04:23,480 --> 01:04:26,000
-Constanza, come in.
-Hello.
34
01:04:30,840 --> 01:04:33,599
-How are we?
-Well, here we are.
35
01:04:34,480 --> 01:04:36,239
Let 's start. Again.
36
01:04:36,280 --> 01:04:39,079
-I like them.
-I don't know... Constanza. They're fine, right?
37
01:04:39,079 --> 01:04:42,039
-Perfect, I'm going to try them on.
-Better that than nothing, right?
38
01:04:42,039 --> 01:04:44,880
Why did you say the other day that tan didn't suit me?
39
01:04:44,880 --> 01:04:47,400
I told you your normal skin tone looked better on you.
40
01:04:47,400 --> 01:04:53,239
-Why?
-Because... I don't know... brown suits you...
41
01:04:53,239 --> 01:04:57,960
Tanning always looks fake on any body type.
Your skin tone is golden.
42
01:04:58,480 --> 01:05:03,440
The tan takes away that genuine thing of yours from your skin.
43
01:05:03,440 --> 01:05:07,559
For example, my skin has changed. When I lived in Lepe, my skin was darker.
44
01:05:07,559 --> 01:05:10,920
-Because the sun was shining on me more.
-But you are quite a bit, too, dark-skinned.
45
01:05:10,920 --> 01:05:13,079
But not as much as when I was there.
46
01:05:13,079 --> 01:05:16,039
Well, this is perfect for me, hey...
47
01:05:16,039 --> 01:05:20,360
Constanza give it to me... but... take away the number.
48
01:05:20,360 --> 01:05:22,280
-what?
-The number, you left the sticker
49
01:05:22,280 --> 01:05:24,679
Ah... well, sorry, eh.
50
01:05:26,119 --> 01:05:29,760
-You've cleaned, eh... you've swept, I think.
-No
51
01:05:29,960 --> 01:05:33,599
-You haven't cleaned the bathroom at all, have you?
-No
52
01:05:33,880 --> 01:05:36,320
-Look, come.
-Let's see.
53
01:05:37,639 --> 01:05:39,159
But look here you can see the skin better.
54
01:05:39,159 --> 01:05:43,280
Because the light is whiter. Yellow and a little more brown.
55
01:05:43,280 --> 01:05:45,920
-This is your real skin color.
-Ah, well it is more pink.
56
01:05:45,920 --> 01:05:49,559
And the hand, the tone of the hand.
57
01:05:49,559 --> 01:05:52,800
It's more orange than mine. Mine is more red.
58
01:05:53,039 --> 01:05:56,960
-I'm going to change.
-Aren't you going to leave your... your necklace?
59
01:05:56,960 --> 01:06:00,159
-No, I'll take it off, right?
-Better, better for the neck... yes.
60
01:06:00,159 --> 01:06:03,360
-And the earrings too.
-Yes, preferible.
61
01:06:03,360 --> 01:06:06,360
It's not necessary, but if you want to take them off, it's better.
62
01:07:17,960 --> 01:07:20,960
I like being watched more than observing.
63
01:07:22,119 --> 01:07:26,440
But at the same time I am more afraid of being watched than of observing others.
64
01:07:28,039 --> 01:07:29,639
And I like to like.
65
01:07:30,840 --> 01:07:33,079
But I like being loved above all.
66
01:07:34,480 --> 01:07:36,440
I have always been very fond of love
67
01:07:36,440 --> 01:07:41,760
and I am very attracted to people, for what they have, for their essence, for what they say.
68
01:07:41,760 --> 01:07:48,960
I feel very guilty...in my dreams I always betray him in some way.
69
01:07:48,960 --> 01:07:51,639
Or I don't take good care of him in that sense...
70
01:07:51,639 --> 01:07:57,480
And that causes me a lot of anxiety, because it scares me a little.
71
01:07:57,480 --> 01:08:03,159
I think I'm afraid of losing him, that's what I've been doing ever since I met him.
72
01:09:21,239 --> 01:09:27,640
It's one arm here and the other here.
73
01:10:34,880 --> 01:10:37,760
-Constanza, come in.
-Good morning.
74
01:10:37,760 --> 01:10:40,720
How are you?
75
01:10:41,159 --> 01:10:44,119
We'll leave this here...
76
01:10:51,800 --> 01:10:54,439
Do you mark me first and then measure me?
77
01:10:54,439 --> 01:10:56,680
First I measure you and then I mark you.
78
01:10:57,239 --> 01:10:59,479
You don't need this.
79
01:11:00,079 --> 01:11:02,079
I don't need this? No, I don't need this.
80
01:11:02,079 --> 01:11:03,960
Well we removed it
81
01:11:03,960 --> 01:11:07,199
If you're going to mark first, then no.
82
01:11:10,000 --> 01:11:13,800
Get comfortable, remember the pose.
83
01:11:13,800 --> 01:11:18,119
The pose, remember the hips. You have to tilt your hips to the right.
84
01:11:18,119 --> 01:11:22,239
-Right?
-There. Exactly. Perfect.
85
01:11:26,039 --> 01:11:30,239
The points are to see the movement that you have to the left.
86
01:11:31,319 --> 01:11:35,520
-If we can do two days a week, better.
-Okay
87
01:11:37,079 --> 01:11:40,800
Fifty. Thirty-three.
88
01:11:40,800 --> 01:11:42,479
And forty-three.
89
01:11:47,880 --> 01:11:51,920
-Have you been to Paris?
-A lot of things have happened in Paris.
90
01:11:53,720 --> 01:11:58,920
-For the first time Constanza?
-Yes, we have seen rats like in Ratatouille.
91
01:11:59,800 --> 01:12:02,520
That 's good.
92
01:12:02,520 --> 01:12:04,119
-Okay, great.
-There?
93
01:12:04,119 --> 01:12:05,520
-Yeah
94
01:12:06,479 --> 01:12:11,239
From the impression of the most beautiful things in Paris, that...
95
01:12:11,239 --> 01:12:13,479
The Rodin museum, I really loved it...
96
01:12:13,479 --> 01:12:16,640
The Rodin museum you see... the gates of hell.
97
01:12:16,640 --> 01:12:17,720
Yeah
98
01:12:17,720 --> 01:12:22,279
In front of the gates of hell are the three composite Adams, like this...
99
01:12:23,239 --> 01:12:27,399
You see the fullness of Rodin below, up close.
100
01:12:27,840 --> 01:12:33,880
And if you look up there, the thinker is up there. Above the gates of hell.
101
01:12:34,600 --> 01:12:39,520
But of course, I had always seen the complete viewing of the gates of hell in books.
102
01:12:39,520 --> 01:12:40,960
But when you see it there...
103
01:12:41,199 --> 01:12:49,159
Because Rodin did not work with reason, he worked with the passion of things.
104
01:12:49,159 --> 01:12:55,359
Rodin is described as a realist sculptor, but he isn't a realist sculptor.
105
01:12:55,359 --> 01:13:01,119
He exaggerates everything, he takes everything to the extreme of feeling, of emotion.
106
01:13:01,119 --> 01:13:04,600
That's why it's exciting, it's impossible not to get emotional
107
01:13:11,560 --> 01:13:14,359
There is a tilt here...
108
01:13:14,359 --> 01:13:16,359
That will not affect me, logically, for the modeling
109
01:13:16,359 --> 01:13:19,640
But I have to be careful, because this is gently sloping...
110
01:13:19,640 --> 01:13:22,760
...it can push my thighs to the right. I have to be careful.
111
01:13:23,399 --> 01:13:26,079
[ Murmuring ]
112
01:13:49,920 --> 01:13:56,399
It has been very nice... but at the same time a little difficult because of some things.
113
01:13:56,399 --> 01:14:00,000
We are super different, it's just that we don't look alike at all.
114
01:14:00,000 --> 01:14:03,479
And that's not a problem, eh. It's not an impediment, because...
115
01:14:03,800 --> 01:14:09,800
In the end, relationships are not based on how much you resemble someone else.
116
01:14:09,960 --> 01:14:15,960
I asked him many times, hey, what is our relationship based on? What is it based on?
117
01:14:15,960 --> 01:14:21,960
I think the beauty is in being there. If you are with him and you are present... that's it...
118
01:14:22,439 --> 01:14:26,479
Agreeing... I will never agree with you, you will never agree with me...
119
01:14:26,479 --> 01:14:28,920
We will never be 100% in agreement with anyone.
120
01:14:28,920 --> 01:14:32,000
But if you are, you are fine, you feel fine, with the person.
121
01:14:32,960 --> 01:14:35,239
What does it matter if you discuss?
122
01:14:35,239 --> 01:14:40,760
No, they haven't been discussions, but... the differences are just that.
123
01:14:41,199 --> 01:14:46,279
But well, that has led me to ask myself many questions, too.
124
01:14:52,720 --> 01:14:57,800
-Can you turn off the light from there?
-Wait a minute, I forgot something.
125
01:15:23,039 --> 01:15:27,600
Do you see this little slot here?
You can see it, right?
126
01:15:27,600 --> 01:15:30,800
That mark here, you can see it, right?
Ana, you see her
127
01:15:30,800 --> 01:15:35,880
This is where the deltoid is born. Go down, down, down.
and reaches the middle of the humerus.
128
01:15:35,880 --> 01:15:38,840
Later, what would become the acromion is also born here.
129
01:15:38,840 --> 01:15:41,359
From there it goes down and reaches the humerus.
130
01:15:41,359 --> 01:15:44,520
Then it is born in this change of plane that you see.
131
01:15:44,520 --> 01:15:47,720
From here the deltoid comes down and goes to that place.
132
01:15:48,079 --> 01:15:50,560
This here would be the humerus.
133
01:15:50,560 --> 01:15:53,680
And this here would be the ulna.
134
01:15:55,159 --> 01:15:58,279
If I go from here, to the end of the ulna.
135
01:15:58,279 --> 01:16:01,880
From the head of the ulna, which is the olecranon, to the base of the ulna...
136
01:16:01,880 --> 01:16:04,479
If I take this route, I can see all the bones, right?
137
01:16:04,760 --> 01:16:07,319
The bone is here, exactly, from here to here.
138
01:16:07,319 --> 01:16:09,039
Jose, which is your favorite love movie?
139
01:16:09,720 --> 01:16:11,880
Wild at Heart, by David Lynch.
140
01:16:12,399 --> 01:16:15,159
Nicolas Cage and Laura Dern.
141
01:16:15,800 --> 01:16:16,640
Sailor and Lula.
142
01:16:16,640 --> 01:16:18,880
The movie is about a moron.
143
01:16:18,880 --> 01:16:22,439
A macho and outdated guy
144
01:16:22,439 --> 01:16:27,560
and the relationship he has with a simple and basic girl.
145
01:16:27,560 --> 01:16:29,640
They are both like empty minds.
146
01:16:29,640 --> 01:16:34,119
They are two characters who don't have... let's say much brain.
147
01:16:34,119 --> 01:16:37,119
But they are in love.
Completely in love.
148
01:16:37,119 --> 01:16:40,920
When people fall in love, it doesn't matter if they are intelligent, stupid, or clever.
149
01:16:40,920 --> 01:16:43,439
whether they are tall or short. We fall in love and that's it, right?
150
01:16:43,439 --> 01:16:50,000
So the film plays that game. It talks about that. About true love between two people above everything else.
151
01:16:50,319 --> 01:16:52,880
-Have you seen "Back to the Future"?
-Yes of course.
152
01:16:52,880 --> 01:16:58,960
The director went to see his mother and then asked himself a question
153
01:16:58,960 --> 01:17:02,159
What would it be like if I had met my mother when we were the same age?
154
01:17:02,159 --> 01:17:04,560
and then that's where the whole movie came from.
155
01:17:04,560 --> 01:17:08,399
Well, I wonder a lot about you, if we would have gotten along at the same age.
156
01:17:08,399 --> 01:17:11,680
But I'm still the same, I haven't changed.
157
01:17:11,680 --> 01:17:18,960
At my current age, I still feel things the same way but more calmly.
158
01:17:18,960 --> 01:17:23,039
Obviously, at twenty-two years old
I hadn't had many experiences.
159
01:17:23,039 --> 01:17:29,039
Everything I was when I was twenty-two, I am now,
but logically at my age.
160
01:17:29,039 --> 01:17:31,119
But thirty years have passed.
161
01:17:31,119 --> 01:17:35,000
When you go through the experience and through the years, and your readings
162
01:17:35,000 --> 01:17:38,439
for your disappointments and for your joys.
You strengthen things.
163
01:17:38,439 --> 01:17:39,119
Okay?
164
01:17:39,319 --> 01:17:43,479
So, the nice thing about the years is that you live things more calmly.
165
01:17:44,520 --> 01:17:48,680
I wasn't afraid, Constanza, of anything, then I wasn't afraid.
166
01:17:49,239 --> 01:17:51,000
Your generation is different.
167
01:17:51,000 --> 01:17:53,079
-You weren't afraid?
- Oh, I wasn't afraid.
168
01:17:53,079 --> 01:17:57,720
-Weren't you afraid of time?
-Time, the future? No. I wasn't afraid of time.
169
01:17:57,720 --> 01:18:02,279
I was not afraid of "will I have a job?, will I not...? Will I be able to do this or that...?"
170
01:18:02,279 --> 01:18:04,560
I thought that had to come by it's own.
171
01:18:04,840 --> 01:18:07,640
I remember I used to travel to Berlin.
172
01:18:07,640 --> 01:18:11,439
-You're like me then.
-Yes, I am a little bit German, yes.
173
01:18:11,439 --> 01:18:13,000
You have your German ancestry
174
01:18:13,960 --> 01:18:16,000
And your German boyfriend, Ingo.
175
01:18:17,319 --> 01:18:19,479
-What was her name?
-Her name was Sabine
176
01:18:23,800 --> 01:18:25,960
-Here, can you put that there for me?
-Yes
177
01:18:57,119 --> 01:19:03,000
-Shit
-A little further in, that's it, and now here and here.
178
01:19:03,399 --> 01:19:07,359
There, let it stick, that's it, and on the other side.
179
01:19:07,359 --> 01:19:11,279
Let it stick to the bar. Perfect.
180
01:19:21,840 --> 01:19:23,680
I can't
181
01:19:24,600 --> 01:19:26,560
Let me see, the glove makes it worse
182
01:19:26,560 --> 01:19:28,520
Brutally.
183
01:19:28,760 --> 01:19:31,359
One day, I'll bring a little pliers
184
01:19:31,359 --> 01:19:33,600
Because it is very tacky what I'm doing right now...
185
01:19:36,560 --> 01:19:37,880
What a shit...
186
01:19:41,399 --> 01:19:42,920
A silly unforeseen event...
187
01:19:46,079 --> 01:19:48,560
Let me see, let me see. Let me see, come.
188
01:19:50,880 --> 01:19:52,359
I knew it.
189
01:19:54,600 --> 01:19:56,079
What a downer.
190
01:19:57,000 --> 01:19:59,119
Sara is going to burst out laughing when she sees me.
191
01:20:00,199 --> 01:20:03,359
Dude, what have you done? What have you done?
Well, I broke my tooth.
192
01:20:05,800 --> 01:20:08,439
-But wow...
-Did it break very high?
193
01:20:08,439 --> 01:20:12,439
-No
-How far has it gone? It hasn't reached the nerve right?
194
01:20:15,880 --> 01:20:18,800
-I'm freaking out, man.
195
01:20:20,560 --> 01:20:24,079
Look, I had to go to the dentist, now I can't leave more time.
196
01:20:26,800 --> 01:20:29,880
Look, it fits.
197
01:20:30,560 --> 01:20:34,800
It fits perfectly, I'll take it and if she can do something, she will.
198
01:21:02,600 --> 01:21:06,000
I know art through artists
199
01:21:06,000 --> 01:21:09,680
through colleagues who are artists, or through my job.
200
01:21:10,239 --> 01:21:14,319
Not because I am an artist, but because I am involved in this, because I am a sculptor.
201
01:21:14,319 --> 01:21:18,359
The difference that exists, or that I see
202
01:21:18,359 --> 01:21:22,399
between Bernini and Michelangelo, Bernini does not weigh
203
01:21:22,720 --> 01:21:26,199
-Bernini's work does not weigh...
-Lightness
204
01:21:26,199 --> 01:21:29,119
-And the works of Michelangelo...
-The opposite happens
205
01:21:29,119 --> 01:21:31,439
They weigh, you see them and it seems that...
206
01:21:31,439 --> 01:21:34,800
Even Michelangelo's cloths seem to weigh a lot
207
01:21:34,800 --> 01:21:39,560
It seems like you're going to grab your clothes,
put them on, and not be able to walk.
208
01:21:39,560 --> 01:21:42,640
I don't see spirituality in Michelangelo
209
01:21:42,640 --> 01:21:45,920
May God forgive me, or may Michelangelo forgive me
210
01:21:45,920 --> 01:21:53,079
I don't see spirituality, I see the flesh, I see... I don't see spirituality in Michelangelo, I can't help it.
211
01:21:53,079 --> 01:21:57,560
I see the human being, I mean, he is very human,
he is super human.
212
01:21:57,560 --> 01:22:02,760
That is what I think Rodin sees in Michelangelo.
213
01:22:02,760 --> 01:22:05,239
That excess of humanity.
214
01:22:05,239 --> 01:22:07,720
[Murmurs]
215
01:22:13,600 --> 01:22:20,079
Thirteen centimeters, and the other one a little higher.
But we put both of them at the same level.
216
01:22:21,199 --> 01:22:23,159
And then we add volume.
217
01:22:23,640 --> 01:22:27,800
-It's thirty-five here.
-Thirty-five, and if I raise it a little more...
218
01:22:30,520 --> 01:22:34,239
-Thirty-seven here, a little higher up
-Let's leave it there
219
01:22:34,560 --> 01:22:42,000
Don't you sometimes have thoughts about doing things you shouldn't do but you really want to?
220
01:22:42,720 --> 01:22:45,039
Yes, many times.
221
01:22:45,199 --> 01:22:48,600
Something, in one context, for example, would be totally...
222
01:22:49,800 --> 01:22:51,159
Inappropriate
223
01:22:51,920 --> 01:22:56,159
or even actions that are...
224
01:22:57,600 --> 01:22:59,640
-Dangerous
-Yes, they are criminals.
225
01:22:59,640 --> 01:23:01,880
Criminal, dangerous...
226
01:23:02,640 --> 01:23:05,520
A lot of times, but that's human, it's natural...
227
01:23:05,800 --> 01:23:10,720
We transgress everything, some people don't allow themselves, but I do, in my head I do.
228
01:23:10,720 --> 01:23:13,600
-You allow it in your head?
-Of course, of course...
229
01:23:13,600 --> 01:23:17,840
If you don't dream you don't complete life, it's like you're missing something
230
01:23:17,840 --> 01:23:21,680
Why? Because that part that you say is transgressive, that we all have
231
01:23:21,680 --> 01:23:24,439
We complete it when we dream
232
01:23:24,439 --> 01:23:27,800
Rather than completing it, it's like freeing it, right?
233
01:23:27,800 --> 01:23:28,760
We make it free
234
01:23:28,760 --> 01:23:34,800
For me it is deeper, or it is truer...
235
01:23:34,800 --> 01:23:38,840
knowing your intimacy, rather than being in your intimacy.
236
01:23:41,359 --> 01:23:44,800
That's partly what I want to do with the piece.
237
01:23:53,720 --> 01:23:59,119
Hi Jose, how are you? I just left rehearsal.
238
01:23:59,119 --> 01:24:03,720
So, I think I won't be there until 6:30
239
01:24:03,720 --> 01:24:08,760
But anyway, I'll let you know, let's see if I can get there sooner.
240
01:24:12,439 --> 01:24:20,199
This is the life of the XY waiting for the XX
241
01:24:22,039 --> 01:24:24,319
Always, waiting
242
01:24:24,640 --> 01:24:26,920
Waiting, waiting
243
01:24:27,159 --> 01:24:29,439
I already, of course, at my age...
244
01:24:30,399 --> 01:24:32,560
I've gotten used to waiting.
245
01:24:32,560 --> 01:24:34,840
I neither get hot nor cold, I wait.
246
01:24:37,520 --> 01:24:39,800
We will wait as long as it takes.
247
01:24:41,520 --> 01:24:42,479
Total
248
01:24:43,640 --> 01:24:48,520
I have nothing more interesting to do than wait, right now.
249
01:24:50,920 --> 01:24:53,359
It's the most interesting thing I can do
250
01:24:53,359 --> 01:24:57,840
Since what comes next is worth it, we'll wait
251
01:25:06,680 --> 01:25:10,760
Her generation is always faced with the conflict of...
252
01:25:13,119 --> 01:25:15,560
What do I feel?
253
01:25:15,560 --> 01:25:18,760
What do I like? Women, men? Do I like everything?
254
01:25:19,760 --> 01:25:21,640
Do I like sado?
255
01:25:21,640 --> 01:25:25,239
Do I like shibari? Do I like bondage?
256
01:25:25,239 --> 01:25:28,399
Do I like being hit? Do I like being petted?
257
01:25:28,399 --> 01:25:32,399
They have some conflicts... some skin conflicts.
258
01:25:32,399 --> 01:25:37,399
and brutal emotional conflicts.
259
01:26:09,479 --> 01:26:14,039
-Hello Constanza
-Hi, how are you?
260
01:26:15,279 --> 01:26:19,840
-How are you? Is everything okay?
-Okay, sorry I'm late.
261
01:26:23,760 --> 01:26:26,079
Who do you think is the most beautiful person?
262
01:26:26,079 --> 01:26:27,920
You ask me and I will answer you
263
01:26:27,920 --> 01:26:31,000
-If I'm asking you
-But ask me
264
01:26:31,000 --> 01:26:32,479
Who is the person...? tell me again
265
01:26:32,479 --> 01:26:34,760
Who is the person you think...?
266
01:26:34,760 --> 01:26:37,119
Well, I don't know... according to your parameters.
267
01:26:37,119 --> 01:26:39,560
A person you say...
268
01:26:39,560 --> 01:26:42,000
This is great beauty.
269
01:26:42,880 --> 01:26:46,680
-You
-Don't tell me that, tell me the truth, seriously.
270
01:26:47,079 --> 01:26:48,359
Well you
271
01:26:48,359 --> 01:26:53,800
-Well, that's it, the game is over.
-Of course, I'll tell you, you asked me and I'll answer you.
272
01:26:53,800 --> 01:26:55,600
It seems to be a short distance, right?
273
01:26:55,600 --> 01:27:00,319
There is no small distance, keep in mind that when you lower your chest it gets closer to your thigh.
274
01:27:00,319 --> 01:27:03,439
But your final buttock volume is missing
275
01:27:04,159 --> 01:27:07,279
When I lower my chest it moves away from my thigh
276
01:27:08,199 --> 01:27:10,920
Your chest is here, keep in mind that your chest ends there.
277
01:27:10,920 --> 01:27:14,039
But your chest is still higher, more towards here.
It 's bigger.
278
01:27:14,039 --> 01:27:17,199
And lower. Right now what I'm doing is the structure.
279
01:27:17,199 --> 01:27:20,119
I'm not making the limit of the shape.
280
01:27:20,119 --> 01:27:24,840
Your body has much more volume... There is still very little volume yet.
281
01:27:27,119 --> 01:27:28,920
The one here is missing
282
01:27:28,920 --> 01:27:31,000
We mark there too
283
01:27:31,960 --> 01:27:34,159
We're marking here, aren't we?
284
01:27:35,600 --> 01:27:37,800
[Murmurs]
285
01:27:48,960 --> 01:27:51,840
Your hand and your arm
286
01:27:52,359 --> 01:27:55,800
Your tilt, your hip.
287
01:27:56,760 --> 01:27:59,920
I would have to lower that, and I think I'll be able to lower it now.
288
01:28:00,319 --> 01:28:03,640
If it comes out, it could even be interesting.
289
01:28:03,640 --> 01:28:06,520
But I have to prevent the structure from coming out.
290
01:28:16,920 --> 01:28:22,840
Have you seen...? The first time I saw Rodin's Eve
291
01:28:22,840 --> 01:28:26,560
It was at the Fine Arts Museum in Seville.
I was still a student.
292
01:28:26,560 --> 01:28:29,039
There was a huge Rodin's exhibition there
293
01:28:29,039 --> 01:28:31,960
nothing like that had ever been done in Seville.
294
01:28:31,960 --> 01:28:35,199
And since I was such a big fan of Rodin, I went and saw it.
295
01:28:35,199 --> 01:28:38,520
- It was not allowed to touch the sculptures
-You touched her
296
01:28:38,520 --> 01:28:41,479
Of course I touched them, I touched them all.
297
01:28:41,479 --> 01:28:44,960
The first thing I did was hug her, I swear
298
01:28:44,960 --> 01:28:46,359
Have you hugged a sculpture?
299
01:28:46,359 --> 01:28:49,800
Of course I have, I hugged Rodin's Eve
300
01:28:49,800 --> 01:28:51,760
I remember that I hugged her
301
01:28:51,760 --> 01:28:55,520
but because I was freaking out, I was freaking out
302
01:28:55,520 --> 01:28:59,159
It was a reference for me that I suddenly saw there
And I hugged her.
303
01:28:59,159 --> 01:29:05,600
But it is very nice to see how reality changes when you see it in a different way.
304
01:29:05,600 --> 01:29:10,159
So if your view of reality changes, everything can be beautiful.
305
01:29:10,159 --> 01:29:15,039
This is not like: I talk to you but you don't really matter to me, what matters to me is what's behind it.
306
01:29:15,039 --> 01:29:16,119
That's not true
307
01:29:16,119 --> 01:29:18,520
I'm interested in you
308
01:29:18,520 --> 01:29:20,640
But beyond that you see...
309
01:29:20,640 --> 01:29:23,399
That there are certain friendships that are generated with a beauty
310
01:29:23,399 --> 01:29:27,520
That you wonder: where does this come from?
Because I'm not making this come out.
311
01:31:02,079 --> 01:31:03,840
I enter the sculpture through its hand
312
01:31:04,039 --> 01:31:04,960
Okay?
313
01:31:04,960 --> 01:31:07,319
I enter the sculpture through its hand
314
01:31:07,319 --> 01:31:09,720
I come in here, I walk, I walk, I walk...
315
01:31:09,720 --> 01:31:11,600
I'm not interested in this arm
316
01:31:11,600 --> 01:31:12,520
I climb on the back
317
01:31:12,520 --> 01:31:14,399
I go through the hair, through back
318
01:31:14,399 --> 01:31:15,680
I go through the back
319
01:31:15,680 --> 01:31:18,159
I step over the line...
320
01:31:18,159 --> 01:31:19,439
along the line of her buttocks
321
01:31:19,439 --> 01:31:21,319
That is logically open as it is natural
322
01:31:21,319 --> 01:31:23,640
and from here I get down to that foot, and I escape
323
01:31:23,640 --> 01:31:26,119
Over there, I escape on that foot.
324
01:31:26,439 --> 01:31:30,039
At the front of the piece is the softness
325
01:31:30,039 --> 01:31:34,439
There is surrender, there is submission, perhaps
326
01:31:34,439 --> 01:31:37,399
and in the back is violence and aggression
327
01:31:37,399 --> 01:31:40,039
This is the...
328
01:31:40,039 --> 01:31:41,600
the obvious
329
01:31:42,359 --> 01:31:44,199
what confronts you with things.
330
01:31:44,199 --> 01:31:46,920
It's a first for something, for me.
331
01:31:46,920 --> 01:31:47,439
Okay?
332
01:31:47,439 --> 01:31:50,079
and that's... it's really a first time
333
01:31:50,439 --> 01:31:52,119
it provokes me
334
01:31:52,359 --> 01:31:54,760
insecurities
335
01:31:54,760 --> 01:31:58,920
Not artistically, it makes me feel insecure...
336
01:32:00,479 --> 01:32:02,279
Not existential either
337
01:32:02,279 --> 01:32:04,840
Yes, they can be existential
338
01:32:04,840 --> 01:32:08,319
and... almost daily insecurities
339
01:32:09,199 --> 01:32:11,279
Yes, everyday insecurities
340
01:32:11,279 --> 01:32:13,159
It's like the piece is already there...
341
01:32:13,159 --> 01:32:17,680
I haven't even started modeling yet and
it's already present in every moment of my life
342
01:32:17,680 --> 01:32:19,199
and that seems to me
343
01:32:19,199 --> 01:32:22,199
interesting in the sense that I think I'll never
344
01:32:22,199 --> 01:32:25,319
It has happened to me in such an intense way
345
01:32:25,319 --> 01:32:28,079
with another piece that I have made previously.
346
01:32:41,680 --> 01:32:42,840
Straight
347
01:32:42,840 --> 01:32:45,319
Very straight, very straight, this way, this way
348
01:32:45,319 --> 01:32:47,520
I reach the buttock, I reach here the ischium
349
01:32:47,520 --> 01:32:49,479
And the ischium breaks a little bit
350
01:32:49,479 --> 01:32:52,880
And I enter the hip that is going to go down here
351
01:32:52,880 --> 01:32:58,720
I move on to what would be the volume of the rib cage
and the muscles that remain above, right?
352
01:32:58,720 --> 01:33:01,920
Here I go out to the shoulder blade, and I reach the deltoid.
353
01:33:02,159 --> 01:33:03,520
Mother
354
01:33:04,119 --> 01:33:05,479
Mother?
355
01:33:05,479 --> 01:33:07,640
Hey, are you in class?
356
01:33:07,640 --> 01:33:10,199
No, I'm in the workshop
357
01:33:10,199 --> 01:33:13,319
Oh no, I'm not going to keep you at all. How are you?
358
01:33:13,319 --> 01:33:14,600
I'm good
359
01:33:14,600 --> 01:33:18,199
Are you okay? Are you more or less tired than the day before yesterday?
360
01:33:18,199 --> 01:33:21,319
Yes, no, the other day Sara and I had something
361
01:33:21,319 --> 01:33:23,439
But nothing happened, she was there
362
01:33:23,439 --> 01:33:28,399
Of course, but I could hear in your voice that you weren't 100%, son.
363
01:33:28,399 --> 01:33:32,319
Yeah, but we were fine, it's okay, sometimes we have to talk about things.
364
01:33:32,319 --> 01:33:34,920
But it's normal, but let's see
365
01:33:34,920 --> 01:33:37,159
I am far away, and I do not see you
366
01:33:37,159 --> 01:33:41,399
And I perceive that you look dejected, for whatever reason
367
01:33:41,399 --> 01:33:44,520
I get more worried than if I saw you,
do you understand me or not?
368
01:33:44,520 --> 01:33:47,039
We will talk tonight Pepa Pérez, at night
369
01:33:47,039 --> 01:33:48,760
Okay, greet Agustin
370
01:33:48,760 --> 01:33:51,840
Yes, mua, mua, mua, see you later. Mua
371
01:35:23,119 --> 01:35:24,880
How much is one?
372
01:35:24,880 --> 01:35:26,199
At 1 euro each
373
01:35:26,199 --> 01:35:27,520
Oh really?
374
01:35:52,560 --> 01:35:53,800
Constanza I'm pissed off
375
01:35:53,800 --> 01:35:54,560
Are you angry?
376
01:35:54,560 --> 01:35:56,640
-Go inside now
-I am very sorry
377
01:35:57,680 --> 01:36:00,159
I'm sorry, and I didn't write to you
378
01:36:00,159 --> 01:36:02,720
I thought something happened,
I was about to call you.
379
01:36:02,720 --> 01:36:03,720
You are right
380
01:36:03,720 --> 01:36:05,560
-You're angry, aren't you?
-Yes
381
01:36:05,560 --> 01:36:08,399
-I'm so sorry, you're right.
-You haven't told me anything.
382
01:36:08,399 --> 01:36:11,680
Absolutely, you are absolutely right.
Very sorry
383
01:36:11,680 --> 01:36:12,800
It's ok
384
01:36:12,800 --> 01:36:16,119
I also always arrive like 10 minutes late... terrible
385
01:36:16,119 --> 01:36:18,479
-You are absolutely right.
-it's ok
386
01:36:18,479 --> 01:36:19,840
I hate being late
387
01:36:19,840 --> 01:36:23,399
What happens is that today I am full of energy to start
388
01:36:23,399 --> 01:36:26,039
But I should have told you. I'm so sorry.
389
01:36:26,680 --> 01:36:30,119
- Well, but you have arrived.
-I'm here now. How are you?
390
01:36:30,119 --> 01:36:32,319
All good
391
01:36:32,319 --> 01:36:35,880
-Well, but we have all day, it's okay, right?
-Yes, it's ok
392
01:36:35,880 --> 01:36:38,960
-I brought you something
-Really? What?
393
01:36:38,960 --> 01:36:41,920
-Wait, I'll give it to you later
-Oh okay, okay, perfect.
394
01:36:41,920 --> 01:36:46,479
-Close your eyes
-Close my eyes? I already have them closed.
395
01:36:46,960 --> 01:36:51,720
Please, Constanza, where are you going? Give me a hug, okay?
396
01:36:51,720 --> 01:36:54,720
Let's put them in water,
I don't know where
397
01:36:54,720 --> 01:36:56,039
Inside?
398
01:36:56,439 --> 01:36:58,520
But I think they don't fit here.
399
01:37:05,479 --> 01:37:09,279
The day the Reina Sofía award was presented
400
01:37:09,399 --> 01:37:13,199
That was in September 2021
401
01:37:14,920 --> 01:37:19,079
The idea of giving flowers to the queen got into my head.
402
01:37:19,960 --> 01:37:22,960
I don't know, I got it into my head to give her a white flower.
403
01:37:22,960 --> 01:37:24,880
What should I do?, give it to her or not?
404
01:37:24,880 --> 01:37:29,159
I would call my mother, and I would ask my mother, How do you see it?
405
01:37:29,159 --> 01:37:31,039
"Look, she's a woman, Jose Manuel...
406
01:37:31,039 --> 01:37:34,920
...after all, she is a woman, and she will like to be given a flower"
407
01:37:34,920 --> 01:37:38,600
So when the time came, I carried a little bag with the rose
408
01:37:38,600 --> 01:37:42,800
The security guards saw that I was handling the bag.
409
01:37:42,800 --> 01:37:44,680
They asked me what I had inside
410
01:37:44,680 --> 01:37:47,159
They told me I couldn't give anything to the queen
411
01:37:47,159 --> 01:37:50,119
I took out the rose and put it behind my room.
412
01:37:51,520 --> 01:37:53,960
And when he came to my sculpture,
I gave it to her.
413
01:37:55,159 --> 01:37:56,600
I gave her the rose
414
01:40:27,079 --> 01:40:28,800
As there is no tensions anywhere
415
01:40:28,800 --> 01:40:32,840
I can't do anything without Constanza,
She has to give me the tension
416
01:40:32,840 --> 01:40:37,960
I can't work with tension if I don't have her,
It's a living hell
417
01:40:38,720 --> 01:40:41,239
I can't do anything right now without Constanza.
418
01:40:45,399 --> 01:40:47,920
I need Constanza
419
01:40:50,359 --> 01:40:54,000
This has just started, so there will be something today, okay?
420
01:40:54,000 --> 01:40:56,439
I hope there is something
421
01:40:57,920 --> 01:41:01,479
Don't tell me this is already cracking, indeed
422
01:41:02,119 --> 01:41:04,960
The other day, for example, watching her I said:
"It looks bigger...
423
01:41:05,600 --> 01:41:07,039
that Constanza"
424
01:41:07,720 --> 01:41:12,239
But no, after I took measurements, it's not bigger
You have that volume
425
01:41:12,520 --> 01:41:13,439
Yeah
426
01:41:13,640 --> 01:41:17,960
The other day we talked about how you were powerful
427
01:41:17,960 --> 01:41:22,079
You weren't, let's say, strong
428
01:41:22,079 --> 01:41:26,399
But you had power, presence in the body
429
01:41:26,399 --> 01:41:30,079
Well, that's what I want to continue today, simply.
430
01:41:42,439 --> 01:41:44,880
-Constanza, everything's okay, right?
-Uhm
431
01:42:06,600 --> 01:42:10,560
Sometimes we live things that we are not aware of.
432
01:42:10,560 --> 01:42:15,760
and we are fine without knowing that it makes us happy
433
01:42:16,239 --> 01:42:20,159
Sometimes you don't have to wonder if you're happy or not.
434
01:42:20,159 --> 01:42:24,359
you just have to let everything flow
435
01:42:24,359 --> 01:42:27,680
and that's it, and don't ask yourself too many questions.
436
01:42:28,279 --> 01:42:30,000
How nice, Jose.
437
01:42:33,119 --> 01:42:35,279
Have you had a good meal, Constanza?
438
01:42:35,279 --> 01:42:36,960
I haven't eaten anything
439
01:42:36,960 --> 01:42:40,399
-Constanza, for God's sake, don't tell me that.
-I didn't have time
440
01:42:42,279 --> 01:42:44,520
That needs to be fixed
441
01:42:47,560 --> 01:42:51,000
Constanza you can stop,
stop now, stop please
442
01:42:53,000 --> 01:42:56,600
And please don't come fasting,
tell me and I'll bring you food.
443
01:42:56,600 --> 01:42:59,000
And you eat here in 5 minutes.
444
01:43:02,279 --> 01:43:03,640
I have already eaten
445
01:43:04,520 --> 01:43:06,800
For dessert I had a pear yogurt
446
01:43:07,119 --> 01:43:07,920
Mmmm
447
01:43:07,920 --> 01:43:10,359
Pear yogurt, I mean I've eaten...
448
01:43:12,600 --> 01:43:14,840
Bolognese and pear yogurt
449
01:43:14,840 --> 01:43:16,600
How do you make bolognese?
450
01:43:16,600 --> 01:43:18,600
Shall I tell you?
451
01:43:18,880 --> 01:43:20,880
So I add minced meat
452
01:43:21,359 --> 01:43:26,680
-Turkey and chicken. I don't add ground beef
-What?
453
01:43:26,680 --> 01:43:29,159
Chicken and turkey
454
01:43:30,079 --> 01:43:34,479
And I do it slowly, over low heat, so that it cooks,
and doesn't burn underneath.
455
01:43:34,720 --> 01:43:36,439
And when I have that
456
01:43:37,960 --> 01:43:40,720
I add pepper
457
01:43:42,119 --> 01:43:45,239
and parsley, and salt,
when the meat is already cooked
458
01:43:46,039 --> 01:43:48,279
In June, if you leave on the 14th
459
01:43:48,279 --> 01:43:50,520
You're going to pose day after day, huh?
460
01:43:52,720 --> 01:43:55,359
You are now going to stay with me for 2 days, here
461
01:43:55,880 --> 01:43:58,000
Wednesday, and Friday or Saturday
462
01:43:58,000 --> 01:44:02,159
Starting next week this week we are going to do it even
if it is at the last minute
463
01:44:02,159 --> 01:44:08,079
I need us to do that so that in June
we dedicate ourselves to taking the piece to madness
464
01:44:08,880 --> 01:44:11,840
But you in June, if you go to Bruges
465
01:44:11,840 --> 01:44:15,960
There will be days when you are here for a whole day and
the next day again
466
01:44:15,960 --> 01:44:21,199
I'm not saying you shouldn't go but
this week we will work for another 2 or 3 hours
467
01:44:21,199 --> 01:44:26,039
and next week I want Wednesday
and a full day again
468
01:44:26,039 --> 01:44:27,039
Are you listening to me?
469
01:44:27,039 --> 01:44:28,359
I'm really messing things up
470
01:44:28,359 --> 01:44:31,199
Mess up all you want but listen
Get it into your head.
471
01:44:31,199 --> 01:44:35,199
-What?
-Next week it will be Wednesday and a full day, again
472
01:44:46,399 --> 01:44:47,800
Already looks like me
473
01:44:48,199 --> 01:44:49,520
Already looks like me
474
01:44:49,800 --> 01:44:51,319
and this is me too
475
01:44:51,319 --> 01:44:53,000
because you made the arm
476
01:44:53,000 --> 01:44:55,399
I have to raise this higher,
You have more volume
477
01:44:55,399 --> 01:44:57,239
I see myself on the arm
478
01:44:57,239 --> 01:44:58,640
There's a little bit of you in there
479
01:44:58,640 --> 01:45:01,039
Where there is more of you is here
over here
480
01:45:01,479 --> 01:45:03,560
Because it's where I've worked the most
481
01:45:03,560 --> 01:45:08,119
Well here you have made me some... impressive tracks
482
01:45:08,119 --> 01:45:11,159
Here, this, I have to soften it a little bit
483
01:45:11,159 --> 01:45:14,960
And this is still very dark here
it's deep inside
484
01:45:14,960 --> 01:45:19,640
When I was little I also liked a lot
things that were small and cozy
485
01:45:19,640 --> 01:45:24,880
Like... like Chinese spoons
that are oval
486
01:45:24,880 --> 01:45:28,319
I tried to steal them when I was little
I swear
487
01:45:28,319 --> 01:45:32,119
When I was 5 I took one in my parents' coat
and I got caught.
488
01:45:33,439 --> 01:45:35,960
But not for the sake of stealing. She was just very cute.
489
01:45:35,960 --> 01:45:37,680
and I couldn't find it anywhere
490
01:45:37,680 --> 01:45:39,720
and it must be that I got a boost there
491
01:45:39,720 --> 01:45:43,319
The ones that are like this circular
and then
492
01:45:43,319 --> 01:45:44,760
a little bit inward
493
01:45:44,760 --> 01:45:48,039
-Yes, but they are these ice cream spoons.
-No
494
01:45:48,039 --> 01:45:50,079
The spoons of an Asian
495
01:45:50,079 --> 01:45:51,680
Those used to drink soup
496
01:45:51,680 --> 01:45:54,159
They have a stripe as a decoration
497
01:45:54,159 --> 01:45:56,680
They are white, and look like porcelain
498
01:45:56,680 --> 01:46:00,560
-or are made of porcelain
-Ah! I know which one you're talking about.
499
01:46:00,560 --> 01:46:04,079
There was something about the spoon
that made me feel very tender.
500
01:46:04,079 --> 01:46:06,359
I think it was the shape, or...
501
01:46:06,359 --> 01:46:08,960
I don't know when you eat from the spoon
502
01:46:08,960 --> 01:46:11,279
which gives a very strange but very cool feeling
503
01:46:11,279 --> 01:46:13,439
I don't spend much time on small things.
504
01:46:13,439 --> 01:46:15,560
They gave me so much tenderness...
505
01:46:15,840 --> 01:46:17,960
I wanted to take them all.
506
01:46:53,199 --> 01:46:54,600
What a wonder...
507
01:46:56,039 --> 01:46:57,800
What a wonderful thigh.
508
01:47:00,920 --> 01:47:01,800
What?
509
01:47:17,640 --> 01:47:19,760
I'm going to kill you with tobacco
510
01:47:26,079 --> 01:47:27,159
Take
511
01:47:29,520 --> 01:47:31,760
Thank you very much Jose Manuel
512
01:47:31,760 --> 01:47:33,520
Thank you
513
01:47:33,520 --> 01:47:35,640
Well then
514
01:47:36,640 --> 01:47:38,239
Let 's talk, okay?
515
01:47:38,239 --> 01:47:40,760
-No, but you have to tell me yes.
-Okay, yes.
516
01:47:40,760 --> 01:47:43,279
Whether it's Friday or Saturday, 2 or 3 hours
517
01:47:43,279 --> 01:47:45,640
And the following week we go all out again.
518
01:47:45,640 --> 01:47:47,399
Wednesday, please
519
01:47:47,399 --> 01:47:49,279
Yes, yes, yes...
I write to you
520
01:47:49,279 --> 01:47:50,399
Yes, yes, yes...
521
01:48:43,119 --> 01:48:45,439
What techniques do you have for flirting?
522
01:48:45,439 --> 01:48:47,239
I don't have any technique Constanza
523
01:48:47,239 --> 01:48:48,960
Everyone has a technique
524
01:48:49,199 --> 01:48:54,199
I mean, the first flirtation, the first approach
How do you get someone's attention?
525
01:48:54,560 --> 01:48:58,800
What question do you ask her?
or question, words or what gesture?
526
01:48:58,800 --> 01:49:00,760
I don't even remember
527
01:49:00,760 --> 01:49:04,159
No, seriously, I'm not kidding you.
I don't remember what I did
528
01:49:04,760 --> 01:49:06,399
Well, what do you still do?
529
01:49:06,399 --> 01:49:07,479
I'm going for it
530
01:49:07,479 --> 01:49:09,600
I mean, I'm going... boom... straight away.
531
01:49:10,079 --> 01:49:14,479
You can't go straight if you don't test the waters,
How do you test the waters?
532
01:49:14,479 --> 01:49:16,039
well, that shows
533
01:49:16,039 --> 01:49:19,000
in looks, in gestures, I don't know... things
534
01:49:19,000 --> 01:49:23,119
Then how do you send the message to the person?
"I am interested in you"
535
01:49:23,119 --> 01:49:26,560
I talk little and do a lot
But I'm not a flirt
536
01:49:26,560 --> 01:49:29,279
I've gotten just enough for my age
537
01:49:29,560 --> 01:49:31,680
But sometimes it is very clear
538
01:49:32,239 --> 01:49:33,640
It is always very clear
539
01:49:35,760 --> 01:49:37,680
I remember that once
540
01:49:38,840 --> 01:49:40,399
I flirted with an Argentinian
541
01:49:41,159 --> 01:49:43,000
That was fine, right?
542
01:49:43,000 --> 01:49:44,720
and she didn't take her eyes off me
543
01:49:44,720 --> 01:49:49,439
A guy next to me said: "She is looking at me."
and I said: "stunned she's looking at me"
544
01:49:49,439 --> 01:49:50,880
"No, no, she's looking at me"
545
01:49:50,880 --> 01:49:53,720
Then something fantastic happened, she approached me.
546
01:49:53,720 --> 01:49:55,680
He started talking to me
547
01:49:55,680 --> 01:49:57,159
and turned around again
548
01:49:57,159 --> 01:50:02,239
And when the guy saw that at night, he had no chance of...
549
01:50:02,239 --> 01:50:04,840
He took the Argentine away from you?
-He tried
550
01:50:04,840 --> 01:50:08,680
- What a shame
-And I say, man, what are you doing?
551
01:50:08,680 --> 01:50:11,439
I told him: "go away"
552
01:50:11,439 --> 01:50:14,920
"What are you doing, buddy?"
It made me angry, it was wrong
553
01:50:14,920 --> 01:50:17,880
-Normal
-I thought it was very bad
554
01:50:32,479 --> 01:50:35,000
Head here and hip there, okay?
555
01:50:35,000 --> 01:50:40,439
Let's start with that, and then surely Constanza,
we will turn it around, okay?
556
01:50:40,439 --> 01:50:43,399
the head here and the hip there
557
01:50:43,399 --> 01:50:47,479
we worked on this profile,
and now we are going to work on the other
558
01:50:47,479 --> 01:50:50,119
and the back and of course this here.
559
01:50:51,279 --> 01:50:53,560
Come on, I'm going, right? Come on
560
01:50:53,560 --> 01:50:57,000
Today is going to be a very nice day,
I already know that
561
01:51:24,840 --> 01:51:27,039
It's full
562
01:51:27,039 --> 01:51:29,760
They are already on their way to 3 weeks
563
01:51:40,680 --> 01:51:46,000
When I talk to you about landscape, Constanza
I'm talking about detailed modeling.
564
01:51:46,000 --> 01:51:50,000
You have the powerful volume,
which is what the piece is already starting to have.
565
01:51:50,000 --> 01:51:53,520
and then within each forceful volume there is
566
01:51:53,520 --> 01:51:56,560
small concavities, small convexities
567
01:51:56,560 --> 01:51:58,720
That's what's going to take me the longest.
568
01:51:58,840 --> 01:52:02,199
I also want to make way, to the touch
569
01:52:02,199 --> 01:52:07,079
so people looking at the piece, approach it and touch it,
precisely because of that landscape
570
01:52:07,079 --> 01:52:08,840
Do you want people to touch it?
571
01:52:08,840 --> 01:52:11,039
Sure, I want them to touch it
572
01:52:12,039 --> 01:52:14,520
I'm going to smoke a cigarette
573
01:52:14,520 --> 01:52:19,159
Every cigarette you smoke is time you waste,
without being with me
574
01:52:20,399 --> 01:52:22,039
What do I do then, not smoke?
575
01:52:22,039 --> 01:52:25,000
it's an incentive to quit, I'm just saying
576
01:53:50,000 --> 01:53:52,960
Let's see, just one second, very quickly.
577
01:53:55,359 --> 01:53:56,800
Yes, it is already done
578
01:54:07,479 --> 01:54:09,199
He has my cheek
579
01:54:09,199 --> 01:54:11,880
it has your cheeks
but it's not you
580
01:54:11,880 --> 01:54:14,960
And I can't upload this any further,
The chin
581
01:54:14,960 --> 01:54:17,760
Because it hits the structure, you know?
582
01:54:17,920 --> 01:54:20,680
How do you do the eye thing?
583
01:54:20,680 --> 01:54:26,119
Ah well... for me it's much easier to do it with my hands
than with tools
584
01:54:38,520 --> 01:54:40,439
It's my favorite part of the day, too.
585
01:54:40,439 --> 01:54:44,279
Sit down and look over there,
or stay as you prefer.
586
01:54:44,279 --> 01:54:45,680
You better turn your back
587
01:54:45,680 --> 01:54:48,840
Yes, but we didn't bring lotion
588
01:54:48,840 --> 01:54:51,800
Well the next day is brought
589
01:54:56,239 --> 01:54:57,199
Are you relaxed?
590
01:54:57,199 --> 01:54:58,159
Yeah
591
01:54:58,159 --> 01:54:59,600
Tilt your head forward a little.
592
01:55:48,760 --> 01:55:50,439
Has it relieved you?
593
01:55:50,439 --> 01:55:52,680
A lot. A lot.
594
01:55:52,680 --> 01:55:54,239
It gave me a little pleasure
595
01:56:03,920 --> 01:56:08,039
It makes me angry, eh?
because I have 6 days left of work with Constanza
596
01:56:09,159 --> 01:56:11,079
I have very little time left
597
01:56:11,079 --> 01:56:14,560
with Constance,
I hope to have enough time
598
01:56:25,159 --> 01:56:30,560
They are calm hands that have no movement
intense nor important, but
599
01:56:30,560 --> 01:56:33,159
But they are the entrance to the sculpture
600
01:56:33,159 --> 01:56:34,960
and the feet are the way out
601
01:56:37,880 --> 01:56:40,039
I have to work them well
602
01:56:40,039 --> 01:56:43,560
I'm not going to take them to extreme realism,
I'm not interested
603
01:56:44,399 --> 01:56:47,119
neither hands nor feet to extreme realism
604
01:56:47,960 --> 01:56:51,520
But they have to be well fitted and well...
605
01:56:52,199 --> 01:56:56,439
positioned, with the gesture that corresponds to them
606
01:56:59,039 --> 01:57:04,800
Hands are important because they are the entrance,
You enter the sculpture through your hands
607
01:57:16,800 --> 01:57:18,560
Constanza, come in.
608
01:57:21,079 --> 01:57:23,520
You look very different dressed like that
609
01:57:23,520 --> 01:57:25,560
Yes, because I'm comfortable
610
01:57:26,239 --> 01:57:29,399
-How are you?
-Constancita, everything is fine, how are you?
611
01:57:29,399 --> 01:57:30,439
Good
612
01:57:31,359 --> 01:57:33,119
They're bigger than mine, huh?
613
01:57:33,119 --> 01:57:37,039
No, look, give me your hand, come on,
give me your hand
614
01:57:39,760 --> 01:57:40,720
How cute!
615
01:57:40,720 --> 01:57:44,439
The thing is that now you would have to put each finger in its place.
616
01:57:44,439 --> 01:57:46,439
The position of the hands, okay?
617
01:57:46,439 --> 01:57:49,439
You don't need the back part, right?
618
01:57:49,439 --> 01:57:51,600
But your hand was further ahead
619
01:57:51,600 --> 01:57:53,920
Your left hand was further away from your head
620
01:57:53,920 --> 01:57:56,640
-There?
-Yes, there yes
621
01:57:56,640 --> 01:57:59,199
-Are you okay there?
-Yeah
622
01:58:11,520 --> 01:58:14,760
The wrist was, let's say, just there.
623
01:58:14,760 --> 01:58:17,680
I have to weld it oriented
624
01:58:17,680 --> 01:58:19,119
a little bit down
625
01:58:54,319 --> 01:58:58,520
-it looks sticky
-Perfect
626
01:59:02,439 --> 01:59:05,840
Wow! With all your paw, how is it?
627
01:59:08,560 --> 01:59:11,359
Constanza, today has been a very hard day for me.
628
01:59:11,359 --> 01:59:14,640
The hardest day since I started sculpting
629
01:59:17,720 --> 01:59:20,000
But I finish the hands
630
01:59:21,439 --> 01:59:25,840
Oh my God! Don't laugh anymore,
You're always laughing at me
631
01:59:25,840 --> 01:59:29,000
-Oh, Constancita!
-You make me laugh a lot
632
01:59:29,000 --> 01:59:30,359
Ouch! My back hurts!
633
01:59:30,359 --> 01:59:32,119
Where? At what altitude?
634
01:59:32,119 --> 01:59:33,279
Towards the other side
635
01:59:33,279 --> 01:59:34,239
This way?
636
01:59:34,239 --> 01:59:35,520
-No
-Over there?
637
01:59:35,520 --> 01:59:37,720
Here, here it hurts me
638
01:59:37,720 --> 01:59:41,319
Does it really hurt?
Where here?
639
01:59:41,319 --> 01:59:43,600
-Yeah
-So tell them to give you something.
640
01:59:43,600 --> 01:59:45,199
My mother gave me
641
02:00:19,439 --> 02:00:21,680
Are you OK?
642
02:00:21,680 --> 02:00:22,800
Are you very sad?
643
02:00:22,800 --> 02:00:24,079
No
644
02:00:26,680 --> 02:00:28,880
Smile Constanza, smile
645
02:00:30,039 --> 02:00:33,239
No but Constanza, natural
To the other side
646
02:00:34,039 --> 02:00:36,960
The face like this, like this
You look prettier this way
647
02:00:36,960 --> 02:00:42,640
- The sculpture is going to miss me a lot
- Of course, and I'm going to miss you too
648
02:00:56,640 --> 02:00:59,800
Constanza, I need you to be well-off, that's what I need.
649
02:00:59,800 --> 02:01:03,960
-I took the paper from you, maybe you were used to it
- It doesn't matter
650
02:01:03,960 --> 02:01:07,600
I need you to put, not that foot,
but the outside foot yes
651
02:01:07,960 --> 02:01:11,600
Let's work with sex and the sacrum, now
652
02:01:31,760 --> 02:01:37,079
It's very difficult to get that out as yours
653
02:01:37,079 --> 02:01:40,399
Here is a tiny fold that I have to make
654
02:01:40,399 --> 02:01:42,439
That little fold that I haven't made
655
02:01:42,439 --> 02:01:44,000
I can't do it
656
02:01:44,000 --> 02:01:47,159
Because i can't now, I can't
657
02:01:47,159 --> 02:01:49,880
This little fold is the one I have to make
658
02:01:49,880 --> 02:01:52,239
An outstanding one there
659
02:01:52,239 --> 02:01:55,239
There, I have to do that,
that fold
660
02:01:58,760 --> 02:02:00,720
And that's it, it's almost over.
661
02:02:00,720 --> 02:02:04,600
I'm not interested in that naturalism...
I'm interested in the volume
662
02:02:04,600 --> 02:02:07,319
and it has it
The piece has what I wanted, it has
663
02:02:07,319 --> 02:02:11,479
your volume and power,
the power, yours
664
02:02:11,479 --> 02:02:14,840
Yesterday I was thinking about it
665
02:02:14,840 --> 02:02:19,079
This morning I woke up like
happy because we are finishing
666
02:02:19,079 --> 02:02:22,039
and on the other hand I say,
What a pity, right?
667
02:02:22,039 --> 02:02:25,399
The sculpture has a lifetime left
668
02:02:25,399 --> 02:02:28,079
We could keep working all our life
669
02:02:28,079 --> 02:02:30,439
but for what?
670
02:02:30,439 --> 02:02:31,760
No?
671
02:02:31,760 --> 02:02:33,359
finish things for what?
672
02:02:33,359 --> 02:02:35,159
You also have to know how to close things
673
02:02:35,159 --> 02:02:36,920
Sure, yes, yes
674
02:02:38,000 --> 02:02:40,680
But anyway, in the end
the light is what
675
02:02:40,680 --> 02:02:42,479
decides to end
676
02:02:42,479 --> 02:02:46,279
I mean if the light goes out,
the sculpture is finished
677
02:02:46,279 --> 02:02:49,760
No, but not to continue with cheap poetry
678
02:02:49,760 --> 02:02:52,359
But because it really is how it has to be.
679
02:02:52,359 --> 02:02:53,479
You are leaving
680
02:02:53,479 --> 02:02:55,800
you leave,
and the piece stops
681
02:02:55,800 --> 02:02:57,039
stops and...
682
02:02:57,039 --> 02:02:59,760
and has its freedom
with me
683
02:02:59,760 --> 02:03:01,840
I have been tied to you
684
02:03:01,840 --> 02:03:03,439
for a long time
685
02:03:03,439 --> 02:03:05,840
And now it's my turn to separate from you
686
02:03:07,000 --> 02:03:08,600
I know it has to end now.
687
02:03:08,600 --> 02:03:11,079
Of course, it has to end.
688
02:03:11,079 --> 02:03:14,199
It has to end now, it's the best time.
689
02:03:14,199 --> 02:03:15,680
- Yes...
- Of course
690
02:03:15,680 --> 02:03:17,680
Beginning of summer... it's perfect
691
02:03:48,640 --> 02:03:50,439
I have to finish this...
692
02:03:50,439 --> 02:03:52,760
Constanza... Constanza!
693
02:03:56,279 --> 02:03:57,279
Oops!
694
02:04:14,319 --> 02:04:17,439
When life covers me
695
02:04:17,439 --> 02:04:21,279
Behind a curtain of years
696
02:04:21,279 --> 02:04:24,199
They will live in full bloom
697
02:04:24,199 --> 02:04:27,520
loves and disappointments
698
02:04:27,720 --> 02:04:30,560
I want to be buried
699
02:04:30,560 --> 02:04:33,640
like my ancestors
700
02:04:34,119 --> 02:04:36,880
I want to be buried
701
02:04:36,880 --> 02:04:39,840
like my ancestors
702
02:04:39,840 --> 02:04:43,079
in the dark and cool belly
703
02:04:43,079 --> 02:04:45,960
from a clay pot
704
02:04:46,399 --> 02:04:48,960
in the dark and cool belly
705
02:04:49,399 --> 02:04:52,479
from a clay pot
706
02:05:40,800 --> 02:05:42,960
Neme!
707
02:11:44,079 --> 02:11:45,960
It hasn't broken, no
708
02:11:45,960 --> 02:11:48,960
Good thing, now I'll see if it's broken